
For perhaps the first 45 minutes to an hour, we see the failed attempts of weak, loser Steve Rogers (Chris Evans) who is determined to enlist in the US Army and fight in the war. Despite his diminutive stature, Rogers’ patriotic nature, bravery and relentless persistence to become a hero, lead him to be selected as the subject of an experimental procedure. We get a look at the famous Howard Stark (Dominic Cooper), Tony Stark’s late father, who hopes to turn Rogers into a super soldier. Upon his physical transformation, Rogers becomes ‘Captain America’, and initially there are lots of pantomime-esque moments as he is turned into somewhat of a propaganda joke, a performing puppet for the Army’s advantage. Set against the backdrop of Nazi Germany, the sinister Red Skull (Hugo Weaving) is a worthy villain. When Red Skull unleashes the power of the notorious Teseract, Rogers is forced to shake off his longstanding inferiority to become a true hero, the real Captain America. With the bitter loss of his close friend Bucky Barnes, the Captain carries out his revenge but at the cost of martyrdom in his apparent death.

The special effects used are somewhat flawed in places, particularly with the depiction of Red Skull’s haunting facial features. Indeed, it is difficult at times to see the sci-fi, magical elements against the setting of World War II. Marvel seem to be keen on distorting historical events to incorporate their own heroes, but in this instance, rather than creating an alternative history, as a viewer I was simply very conscious that I was witnessing a slightly absurd superhero movie. The slow motion fight scenes were impressive nonetheless, and despite the odd issue with SFX, the general composition of the film is fantastically typical of Marvel, in a good way.
edited by SHIYU NIU 43507166
edited by SHIYU NIU 43507166
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